Festival TransAmériques
Yume No Shiro (photo: Klaus Lefebvre)
And We're Off!Festival Transamériques takes on today's youth with an unpredictable blend of new hybrids in the performing arts
David King
If there was a way to describe what to expect at this year's Festival Transamériques (FTA), it would first be to expect shows about our youth - and then expect the unexpected. Although the Festival makes some pretty clear delineation between its theatre and dance offerings, there's an increasingly fine line between the two each FTA as disciplines overlap.
Until June 11, CharPo will be reviewing more than a handful of the English-language related (spoken or subtitled) international theatre highlights at this year's FTA, including the Berlin / Amsterdam work Trust (read Joel Fishbane's review here), the always exciting Vancouver company Boca del Lupo with Photog, world renowned director Richard Maxwell's Neutral Hero, the much-anticipated Gardenia (see our preview by Bugs Burnett) and the contemporary Buenes Aires adaptation of Ibsen's A Doll's House entitled El Desarrollo de La Civilizacíon Venidera, by the brilliant Argentinian director Daniel Veronese.
